The TV Writers' Seminar - Day 1 of the TV Writers' Workshop - is a crash course on developing, writing, producing and selling your TV show. Each speaker takes to the stage for almost 2 hours to cover a component based on their expertise. It's a fast-paced, non-stop day that'll give you the tools you need to start developing and writing your TV show.
Ellen Sandler - 9:00am to 11:00am
WHAT’S NEW? – CREATING A TV PILOT
An overview of what you need to know to develop and write a professional level original pilot for today’s series television marketplace.
The 1 Key You Must Have to Create a Pilot - Focusing your Premise
The 2 Essential Elements that Make a Series
The 3 Pillars of Any Pilot - The Foundation Of Every Successful Show.
Defining Your Central Character
Building Your Show’s “Family”
Creating the World of Your Show
The 4 Support Beams of a Series Pilot
Defining Your Arena
Committing to Your Genre
Establishing Your Series Tone
Effecting a Style
Developing Your Story Lines
What Makes a Great Pilot Story
Tips on You Can Use Your Pilot To Advance Your Career
Chad Gervich - 11:00am to 1:00pm
SELLING A TV SHOW AND THE BUSINESS OF TELEVISION
In order to bring your show idea to life, you need to create it, write it, pitch it, sell it, and navigate TV's development process.
During Chad's session, he details the main steps of selling a TV
show in today's global broadcast and cable landscape. He'll discuss
the elements of every successful TV show, how to develop and
organize them into a pitch, and when, where, and how to get them
to the most appropriate buyers. You'll also learn:
Networks, cable networks and studios' secret schedule for buying projects… and why timing is essential
Creative ingredients every producer or exec looks for… and how to insert them into your pitch
The most important element of any TV show or pitch… and how to convince execs you have it
Which tools and secrets help your pitc and which will undermine it
Where and how to get an agent or manager… and when to find the right representative for you
The structure of TV’s network/studio/pod system…How it's changing…And how to navigate it
How to find, meet, and network with TV's power-players… and who you don't need to meet
How the business is changing, and why these changes can help you
Troy DeVolld - 2:00pm to 3:45pm
WRITING AND PRODUCING REALITY TV
The Reality Effect
How Reality Has Changed Traditionally Scripted Shows
Creating Your Own Show
The Workable Concept, Sizzle Reels, The Pitch, The Payoff
Story is Story, and Story is Written. Sort of.
Why Don’t I See Writers Credited on Reality Shows?
What Does a Story Producer Do Exactly?
Timeline? What Timeline?
Continuity and Story Basics
The 7 Kinds of Reality Shows
The Reality of Reality TV
The Story Department
The Politics of Reality
That Stuff Has Writers? – Building a Reputation on an Invisible Job
Thoughts on Networking
Jennifer Grisanti - 4:00pm to 6:00pm
STORY DESIGN & CHARACTER
A Logline for your Life
A Logline for your Script
Story Structure for TV Spec and Pilots Scripts
Clear Goal Stemming from the Dilemma
Act outs need to connect back to the goal
Fictionalizing Your Truth
Writing The Spec Script
Writing Your TV Pilot Script
Writing the opening
Identifying an external goal that stems from the opening dilemma
Writing each act
Writing toward the external goal in the A story
Writing the external stakes arc
Writing with a theme
Writing the resolution and setting up the series
* There will be a 15 minute break between speakers
Day 2 of the TV Writers' Summit is a fun and intense hands-on workshop where you'll be able to expand and develop your idea for a show.
The audience will be broken up into groups and work with each Pro throughout the day as they take you through the paces to help develop and flesh out your show ideas, and even how to sell them. To be covered:
Jennifer Grisanti Learn how to tell and sell your story. In Jen Grisanti's workshop, she will show you how to structurally frame your story in your log line, your Log Line for Your Life, and the opening of your pilot story. She will take you through exercises and formulas as a way to teach you the techniques that will lead you to success with your script and your personal story. These tools have led many of the writers that she's worked with to sell pilots and get staffed.
Ellen Sandler Once you’ve got your story engine up and running, you need a driver if you’re
going to get anywhere. Every network exec and every showrunner will tell you: Characters drive
(and sell!) a series—they are the beating heart of a show and what the audience comes back to
see. In your workshop with Ellen you’ll discover simple techniques on how to make your
characters multi-dimensional, how to give them emotional life and how to get them into action;
crucial tools that let you put your characters where they belong: In the driver’s seat!
Chad Gervich The most important part of any TV show -- and the thing that makes TV its own
unique medium, distinct from film, theater, or literature -- is its ability to generate an endless
number of stories. If your show doesn’t have that, a powerful story generator, you ain’t got nothin’.
In your workshop with Chad, you’ll gain the tools you need to sharpen your characters and
create compelling conflicts. You’ll also give your concept a writers-room litmus test to determine
whether its strong enough to generate the right stories to sustain an entire series. If it’s not --
we’ll discuss how to whip it into shape. If it is -- go sell it for a 22-episode order and a million-
dollar overall deal.
Troy DeVolld Story is story, and story is written... and no matter what you've heard, you can't rely on your characters to tell you what they want or dictate storylines themselves. Whether you're working on traditionally scripted series or reality shows, one thing's for sure --- your characters need direction. In your workshop with Troy, you'll learn how to collaboratively map out a full season and beyond, setting up your characters -- real or fictional -- for engaging journeys that will keep your viewers riveted season after season.
And, of course, in between sessions, you'll be able to ask the Pros any questions you may have.
Finally, at the end of the day, you'll have the opportunity to pitch your idea to the Pros and Audience (if you want). The winning writer's pitch will receive a free ticket to the big Story Expo 2014 conference in Los Angeles the weekend of Sept. 5-7, 2014 (a $249 value!), as well as copies of all of the Pros' books (a $110 value!).
Group 1 - 9:00am to 10:30am
Group 2 - 11:00am to 12:30pm
Group 3 - 1:30pm to 3:00pm
Group 4 - 3:30pm to 5:00pm
Group 4 - 9:00am to 10:30am
Group 1 - 11:00am to 12:30pm
Group 2 - 1:30pm to 3:00pm
Group 3 - 3:30pm to 5:00pm
Group 3 - 9:00am to 10:30am
Group 4 - 11:00am to 12:30pm
Group 1 - 1:30pm to 3:00pm
Group 2 - 3:30pm to 5:00pm
Group 2 - 9:00am to 10:30am
Group 3 - 11:00am to 12:30pm
Group 4 - 1:30pm to 3:00pm
Group 1 - 3:30pm to 5:00pm
5:00pm to 6:00pm